Ikonta 520 novar

This is a medium format camera (i.e. takes 120 film) from Zeiss Ikon.  It is a half-frame camera - 6 x 4.5 cm negative - which is half of a standard 120 frame of 6 x 9 cm.

Ikonta 520, front view

lens: Novar
focal length:  75mm
apertures: f6.3 to f32
focus range: 4'6" to infinity (that is the scale, actually about 4 feet)
lens fitting: fixed
shutter: Derval
speeds: 1/25, 1/50, 1/100, B, T
flash: n/a
film size: 120

The body is made from cast aluminium.  This body casting is shared between the Ikonta 520, Bob 510 and Nettar 515. It is quite hard to understand why Zeiss Ikon shared the body between three different camera lines instead of calling them all Ikonta (the oldest name) seeing as Bob, Ikonta and Nettar all come with a range of lenses and shutters and can be considered to be one range in effect if not in name.

So, this Ikonta.  The lens is a Novar which is a triplet and performs surprisingly well once stopped down to f8 or smaller.  Ikontas were also available with Tessars at a higher price and wider aperture Novars.  The Novar on this camera is quite a slow lens with a maximum aperture of f6.3.  The focussing is front cell only, rather than the whole lens moving (giving not quite so good image quality) and the focussing scale is in feet indicating that the camera is an official import into the UK.

The shutter is an everset Derval (everset means it does not need cocking before firing as a Klio or Compur would).  This is a fairly crude (and so cheap) shutter with two blades only and only offers three speeds: 1/25, 1/50 and 1/100.  With a slow lens like this camera has, faster shutter speeds would have been superfluous, particularly with the slow, by modern standards, films available in the 1930s.

Detail of rim-set shutter adjuster on Derval shutter

The shutter is a dial set shutter which means that the speed adjustment is by a dial set above the shutter housing.  More modern shutters have a rim set adjuster which is a ring around the shutter housing.  This shutter does not have a V (=Vorlaufwerk) setting for delayed action and as is usual with cameras made before the late 1940s, there is no flash connection or synchronisation.

As I mentioned, the maximum aperture is rather small at f6.3 but the minimum aperture is surprisingly small - f32 - so the range of exposures possible is still respectably large.

A standard photograph with this camera (as with the Bob 510 and Nettar 515) is in portrait format and in this orientation the shutter release is underneath the camera and is uncomfortable to use.  To take landscape pictures, the camera must be used on its side and the shutter release is on the side and easy to use.

Meisupii J review

Meisupii J

This is a small, cheap Japanese camera dating from 1951.  The camera is 104 x 70 x 59 mm and weighs 190g - this is quite light and is due to the aluminium alloy construction.  the only part that is not aluminium is the shutter which is brass.  The basic physical design is the one common to many cameras of the period and is loosely (very loosely) based on the Leica, the sine qua non of camera design of the time.  The following three photographs show the general similarity in outline and layout.

The Meisupii J has a number of knurled knobs and rings giving the impression that things can be adjusted.  of then two knobs on the top plate, only one turns - the film advance.  The two knurled knobs on the base plate do not turn and the two knurled rings on the lens/shutter housing also do not turn.

There are adjustments, however.  There are two shutter speeds - I and B.  I is Instantaneous and B is Bulb.  Instantaneous is around 1/50 seconds and B, as usual, leaves teh shutter open while the release is depressed.  the release button almost gives the impression that it is threaded for a cable release but it is not.

Also adjustable is the aperture with two f-stops - f8 and f11.  These are Waterhouse stops - holes in a moveable metal plate - rather than an iris diaphragm.  These holes have clearly been punched rather than drilled as the f8 stop is not quite circular.

The lens is a meniscus lens as far as I can see and does not appear to be coated..  The lens fascia is inscribed 'Meisupii 35' which suggests a 35mm lens which is slightly wide angled for 35mm film.

This camera takes Bolta film which is unperforated 35mm film wound onto a spool with backing paper like 120 film.  This was introduced in Germany in 1936 at as time when 35mm film was becoming popular but was not yet readily available in pre-filled cassettes.  Bolta format film was introduced into Japan in the late 1930s as Boltax film and was used until the late 1950s.

As with 120 film, the frame positions are indicated on the backing paper with numbers viewed through a window on the camera back.  Strangely, this window is coloured green rather than the usual red although with the introduction of panchromatic film (which was the usual film by 1951) the colour of the window is immaterial.